【永久保存版】アイドルカメコのやり方から考えていること全て話しました。
Yes, hello everyone, this is Idol Cameco Channel.This time, I’m going to tell you everything I think about the Idol Cameco method.My opinion is that even if the equipment is good, you won’t be able to take good photos. I’ll tell you that even if it’s your own theory, you can still reproduce it.For example
, it’s perfectly fine to start by copying things like, “I use this kind of equipment, I do this kind of developing method.” However, I think it’s much more important to improve your
Skills that you create your own way or your own way of doing things after copying, and then go through the PDCA cycle from there, so I’d definitely like to try that thought process. This time, I thought it would be a good idea to mix together
The psychological part and the know-how part, so I would like to talk about the important points at a very long time. I’m wondering what you’re saying , but that’s all about the way you think and the way you think, so if you’re interested, please listen and watch until the end
. I would appreciate it if you could tell me how I would like to talk about the equipment, preparation before shooting, things to be concerned about during the live performance, what you think about when selecting, and what you do when developing. I’d like to talk about how I think when posting on SNS
, and other things to be careful of and prepare for in order.So first, let’s talk about the equipment.This is from that other video. But I’m giving it to you , but for me, this is the only choice.It’s the Canon Element R6 and RF, and the RF 1500mm telephoto lens.Well
, first of all, it was originally a 70mm lens called the 7 Nipah. I also had a 200mm lens , but I don’t think there are many situations where you can use it in such close situations.As the idols I’m chasing get bigger and bigger, there are
N’t many situations where I can use it, so it’s hard to use it. When I say ” I’m going all out,” I mean reducing the number of choices, and it’s based on the simple idea that if I’m at a loss, I want to make one choice at a time.Also, it
Was during that live performance that I decided on the structure. I take it while thinking about it, so I don’t need a single point in the first place because I approach it or pull it back.Also, the RF lens’ depiction is quite good in combination with the R6, and I was able to
Take that crack. I wonder if there is a way to increase the amount of loco in the development stage and be able to withstand it in combination with R6.I don’t know much about the number of pixels or anything like that, but I don’t know much about R6.
The combination of RF10 is very good.I get the impression that there is not much noise.The reason is that the amount of noise per pixel figure is smaller than that of R5. So, I’m wondering if it will hold up that well even if
I remove the noise, but in a sense, I think the advantage is that it’s more flexible.I don’t really know much about this, so as for the SD card… I’m using something like Suneast’s Ultimate Pump, and I’m using one 256 and two 128s, so it ‘s called UHS2, so I’m planning a V90.That
256 So, 128, 1 and 2 are used. This is the day before that, and this is 250. Well, in one performance, we get about 10,000 tickets, so about 128 is 1 ticket. I’m going to finish using it, so I use one 256g one for when I inevitably overflow, and
The 128 is basically a sub. There’s a park during the day and night, and it ‘s also a bit of insurance. It’s like I have another one, so I use it, or when I’m going on tour or something, and I’m going through all the copies, I wonder what it’s like to
Use it. There are times when I can’t keep up, so I use the sub as my main power, and the SD card is good, so I use these three cards to spin it.Basically, it’s 2 1556, right? As for the next development tool,
I use an iPad Pro and Lightroom.The latest method of transferring photos is a Canon app called Camera Connect , and I have it on my iPad , so I connect it to my iPad via Bluetooth. In other words,
I use Bluetooth to transfer photos from my Kinon camera to my iPad, so in other words, I use the camera to sort out the photos. I ‘ll give a rating of 2 stars for photos that I think are particularly good, and
Give a rating of 1 star for photos that I like quite a bit, and then give a rating of 21 stars for photos that I don’t really like, so what do I do with Camera Connect? So, if there were two parks, the ones with star 21 would be mixed
In . Well, it gets complicated, so for example, daytime parks are given a rank of 21 stars, and night parks are given a rank of 4 and 3 stars.The one you like is given a rank of 4 stars.
I like it so much that it gives me a 3 star rating.That’s how I operate it , so it’s the shooting settings during the live performance.It’s a technical thing, so it’s a manual, so the shutter speed is 1/00 or 1/ 01/00 sometimes has that same body shake, so
Most of the time it’s 1/60 scale, and depending on the song, there are songs with little movement, ballad-like songs, solo-like songs, etc., so it’s a little more. I think it’s okay to drop that drop
, so I’m basically wide open around the edges, which means I mainly focus on the one with the smaller F value.However, for group shots I’m aiming for F8. I set the sensitivity to auto and I don’t want to add too much noise, so I set the upper limit to 1600. I’m setting it
To auto within the upper limit of 1600, so for autofocus, I set it to face plus tracking. There’s something called Priority & Eye AF, so I’m using it.As for the AF characteristics, there’s Servo AF, and the Servo AF characteristics are 4, which is like that ballerina thing.
They’re doing something like that figure skating thing, and the body-tracking characteristic is set so that it sticks.If you ask me why, it basically focuses on that one person. I want to match it with Ishida Nakagata-chan,
So I want to do something similar to Ishida Nakagata-chan, so I’m going to stick to it and basically don’t let go of it and don’t transfer, so the rapid fire setting is that super high speed rapid fire setting. It’s like using something like that and using
An electronic shutter.The idea is to increase the number of shots and increase the batting average.The recording quality is pretty good.I wonder what that is.The main purpose is to upload it to SNS. In particular, I would like to make the capacity lighter even if just a little.For the Roshi
Moto, the Plasma 0 white balance is fixed at 4000K.Around 4000 will give you an output that is close to what you see with your eyes. The reason for this is that it’s easier to correct later, and that’s because it’s a preparation before shooting.You
Can predict the movement and formation of the push surface in advance.What is this ? It’s like watching MVs all the time, or watching the movements of that standard song at a live performance on YouTube, etc., and you basically have it drilled
Into your head as to where and how the members are doing their movements. This is a paper hand.If you study how to predict movements such as “There are many high-level players in this song” or “Don’t move from high-level to lower-level” in this song, I think that other seats will be announced. However,
I often select a lens by calculating backwards based on the image of the finish based on the seat distance , but the conclusion is that I can achieve everything with the RF100500, so I sold all other lenses. I think it would be better to do something like this, especially the push side.
If you have a strong feeling about recording something, it’s better to collect information and observe the details thoroughly, and also to grasp the emotions of the audience.For example, at a live performance. If there was a lecture a few days ago
Where you had that kind of passion, you’d naturally get excited, and the conditions at that push could be in that showroom or anything, but it doesn’t matter if you’re moving or whatever. But I think it would be better to thoroughly observe it from such a point of view.The
Fact that I’m pushing myself today and feeling like I’m in a good mood today is something that makes me feel old. I think that kind of tension is reflected in the photos of Kururu Arumo, so I think it’s better to thoroughly avoid those emotional scenes.Those
Idols are also human beings, and they don’t do live performances. So I think there is a treasure that can only be left in that moment, so I think a completely different side will come out in that one park, that one park, so I think the members will come out,
So the live performance is aquatic. Well, I think the significance of Cameco is to move that. Or rather, the output that comes from thorough observation and information gathering is not an official camera, but the needs of Cameco. If you think about it in a certain way, I
Think that official camera is just a documentary photo, so it excludes those emotions.Professionals should do it with the idea of taking good live photos without emotions. I think that Kameko is that pervert, so I think it’s a pervert and a disgusting creature, so I thought it
Would be better to empathize with the diaper, so in my case, I empathized with it a lot. Look at that above and you’re like, “Oh, my moisture is really cute.” I can recommend it to that person.I can introduce it to my family.I can introduce it to other members.It’s
Not really cute.It’s not really cute.It’s really cute. I think that the kind of output that expands the conversation, but ultimately accumulates in a perverted way, is what Cameco needs. I think the best thing to do is to collect information and
Think about the expressions on the faces of the idols that make the members shine, whose favorites are the best, and to think about what that is all about . That’s what I’m thinking.Also, I
Would like to talk about things to be concerned about during the live show.Anyway, I think the live show should be more exciting.I’m an otaku who wants to enjoy the live show and go home. That’s natural
, but what’s good about it is that when you see the audience getting excited, it has a big effect on the performers.Of course, the performers are also professionals, so I think they’ll give a reasonably good performance with a score of 80 or above. I think what brings out the score to 120 points
Is the live feeling of the audience’s unity.If the audience is really excited today, or how warm the audience is today, then of course it’s the idol ‘s side . I think it will be exciting, so if the 80 points get really excited, it
Might become 120 points.Also, the 120 point expression is definitely better than the 80 point expression.That’s why the 120 point expression. I think it’s better to liven up the live performance because I think if you can fit it in, it’s better to liven it up.If you’re a Kauma otaku
, that’s the way to go.I’m not denying people who have their own collections, but they do take good photos. If you want to take a photo, I think this is probably connected to this topic.Also, I’d like to talk about the camera time at the live performance, but how do you think you’ll
Take photos during the live performance? When I say I do it, I imagine that cameras 1 and 2 are in my mind. Of course, the first camera is the camera I have in my hand to take pictures, but the second camera is the camera that is far away in my head.
It’s an image of a bird’s-eye view of a stationary camera in the sky.As I was looking through that finder on the first day , I was imagining how the performers in front of me were moving. This is the second shot, and that member is already
Focusing on that in the viewfinder, imagining the next move from a bird’s-eye view, imagining the first and second shots in his head. I think the most ideal system is imagining, predicting the next move, and taking it.That’s why I think research is necessary.I
Already think this is a bird’s eye, but it’s a bird’s eye. But I think it’s quite difficult to do that, so I think it’s good to be aware of it.At the very least, even outside of the angle of view of the first time, what kind of
Response are you doing, such as the interaction between the members? It’s easy to imagine that it could happen, so I think it will work if you just have the mindset to see it from a bird’s-eye view.The rest is just a matter of how it will actually be
Output in future stories. But when I take photos of the performers, I think of them as a continuum of movement.I feel like if I input their movements into my head, it’s easier to remember them later.For example, Icolove’s Find the Diamond. The idea is to divide the chapters so that Lily’s face
Moves like this, etc. If you input something like that, then later… This movement, that expression, that expression, it’s connected to the memory of that story, and if you take it out as a story, you’ll think that’s good, so the idea is that you should just start earning money with electronic chatter.
I want to do some preparations in advance and think about the best composition with the camera I have when taking the shot.It’s okay to crop the image afterwards, but basically, with that zoom lens, I’m trying to compose the shot by focusing on it. I think it would be more convenient to use a
Zoom lens to organize the structure of the structure rather than release the fireproof single fire retardant. I’m good at it , and the risk of failure is low, so I don’t use Ezumurezu with the idea that I don’t use single points too much.So when I’m shooting,
It’s basically 80% to almost 99% of the time. I shoot horizontally.When I hold the camera vertically, I end up with a cramped composition, so I don’t really feel comfortable with it, but I imagine there will be a lot of vertical movement and jumping. For example, if there
Were 12 members, they would be in a horizontal formation, and if they were in a single horizontal formation, they would do something to focus on the one member they wanted to take. When I want to get to the foot of the costume,
I often hold it vertically to organize the structure of the costume, but I usually hold it horizontally, so if the seat is far away, I hold it horizontally and later. There are some downsides to the pixel count when cropping vertically, but I don’t really care about that, and I think 999% of people
Watch it on their smartphones, so I’m not that particular about it. I’ll just make that comment , but at the same time, I’m going to work backwards in my head to get an idea of how it’s going to look, and then I’m going to take it while I’m developing it.Even if it’s
Dark, if I think about that over and over again, I think I’ll be able to manage it at the development stage. You’ll be able to take on challenges , and if you decide it’s difficult, you
‘ll be able to wait until the next action is sent. What’s confusing is that you can’t fix this or that , even if you play a dark song. If I think about it, I’ll give up, or conversely,
If I think it’s going to turn out to be a photo that has a nice dark but atmospheric feel, I can’t picture it in my head as I develop it, but I end up with a result that looks like it’s being taken without imagining it.
I’m trying to keep that in mind when taking photos while imagining them.Then, when I finish taking those photos and the concert is over, what do I choose? I want to talk about what I keep in mind. I think of
The time lapse of that camera time during Eko’s live performance as a number line.I can’t remember where in my memory that good scene is. It means that you can sort things out quickly by remembering whether it was warm or whether there was a good cut.It
Means remembering it in the so-called story or memory story.That whole live performanceWhen the upper and lower grades were 10, for example, that I often recall things like 5 and 6 had that facial expression, or that part of that song had such a nice face, so I
Often bring it out by remembering it, so I use that number line as a reference. So, the idea is to use the electronic shutter to increase the number of images.It ‘s not like that self-jiffing video where you shoot as a continuum
, but it’s like that, so it becomes a continuum. That’s an image. So, when I select a certain thing based on my understanding of it as a time axis of movements from 1 to 10, for example, when I see this rust raising his hand like that in this dance. When we assume
That one part of a movement is from 1 to 10, such as from 1 to 10, we often choose the movement of 1 and 10 at first.It is the viewpoint and end point of the movement.That
Viewpoint and The end point is the face, the movement of the hands, the movement of the fingers, the body, and so on.The point is that there aren’t that many mistakes at the beginning and end of the animation, or rather, on the idol side.
Since it’s still a deciding factor, there’s a very low chance of an accident happening, so basically I often pick things up while keeping in mind the point of view and the end point, that is, 1 and 10. In the continuum from to 10, it means that it is
In the middle of the movement at point 3 or 7. Sometimes there is a good cut lying dormant, so I look for it in the second selection.In the first selection, I look for it. I choose 10, but in the second selection,
I don’t know if it’s 3, 7, 5, or 8 in the movement, but those key points are the key to movement or emotion in the middle of the movement. I think it would be ideal to be able to pick out the things that I think are there.Then, how do I develop them?
I explained this in a slightly different video, so I’ll skip ahead and explain the premise first. I believe that the ideal thing is to faithfully evoke the movement that I saw at a live performance, so I try
Not to go too far from the movement of what I saw with my own eyes, or the reflection of what I saw with my own eyes. I’m on the premise that it’s true , so I’m trying to think about whether
There’s a way to make the most of it instead of killing it too much, like proving it live.Well, I’m talking about operating the light room , but from the detail effect to the light. I’m modifying the basic items in order. I’m
Modifying them in order from the bottom. There’s no particular reason for this, but since the light is the largest variable, that detail has the least number of variables. It’s hard to change like that. That means there are few changes, so I’m touching on that end, and
The light has a lot of influence anyway, so if I do it first, my head will go crazy, so I try to do it at the end. Well, the detail settings are like this, I guess sharpness is up to 100 or 120. Radius 1.0 Detail 20
Mask 80 to 90 Noise reduction 30 TT The effect is about 80 Texture + 20 Order level – 20 I’ll post a video of this and that texture. The difference is in clarity. Simply put, texture affects only the really detailed camouflage part of the middle side, while clarity affects the entire image
. I think it’s good to understand the difference in the clarity given to the texture parts where the whole becomes blurred because it affects the whole.I think it’s good to understand the difference there. I create a soft atmosphere overall with clarity
, so depending on the lighting, I increase the amount of fly haze removed by about 7 to 10 plus , and when it comes to color, I use a color temperature of 4000K. I often reduce the color cast to about 3800 or 3600
, and the color cast correction is just to remove the extreme color cast, and I set the natural side to about 10 to 30, and the side looks nice and smooth. I feel like it’s because I often use a color mixer to make the red and orange my 7
Or something like that , which brings that skin tone a little closer to that idol’s white complexion. I mean, if you drop it too much, you’ll end up with a zombie-like face, so even if you do it, the magenta will be negative depending on the lighting
. Then set the controller to Plus 10, set the highlight to minus, and use Shadow Plus to suppress the glare, create the texture of the hair, set the white level in the positive direction, set the black level to minus, and uh, that shadow lifted the Iranian part.
It has the meaning of closing down the dark areas.Next is skin correction.First of all, from the mask , there is that brush tool, and I fill in the skin with a bar, and use that texture melody, which is about 3:2, which is a negative ratio. Now, I’m going
To layer it a few times to make sure that the skin texture doesn’t look too flat. Next, select Delete from Repair 2 and use that brush tool to remove areas like pimples and pimples. It’s like erasing things. I also erase things like hair, sweat stuck to the forehead, and split ends
To the point where they don’t look strange. Also, I erase things like double chins, wrinkles on the neck, and the florist’s forehead. I also try to remove shine.I
Also use the sad mask, brush mask, and brush tool to draw out the dark circles under the eyes, the fine lines, the veins on the hands and neck, and those dark spots on the surfaces of the elbows and knees. I’ll correct it, and finally,
As an accent, select the rook from the mask, invert it, select the background, and press the highlight of the background a little to improve the clarity. I’m doing things like lowering it, and I’m doing it to make the background stand out by blurring it and making it look softer.Well
, I’ll be careful next time I post on SNS. I think it’s ideal for a photo to convey the background and story and have a basis for explaining it.I can explain to people that this photo is about this situation, this kind of thing, and that there is a story behind it.
Ideally, it would be something that has some basis in it, so rather than just giving two or four pictures at a time, I would rather explain scenes like this in a continuum between two and four pictures. In terms of making,
I like to put 2 to 4 pictures per post.If I can’t tell with one picture, I ‘ll post it with one picture, but basically I usually post 2 to 4 pictures. I’ll tell you what I think is important. Well, first of all, it’s input, but
If you input only cameo photos, the range of ideas won’t expand, so it’s not just those photos, but movies, dramas, manga, anime, etc. I think about the input of that composition and what kind of aesthetic sense I want to get. I also want to visit that museum. I can
Create that sense of value from the input of that room, whether it’s paintings, movies, or news reports. As for how to look at it, by studying that photo, I think you’ll be able to understand what kind of message it conveys, what kind of thread it has, how it’s captured, how it’s reflected,
Etc. Also, what I’m always saying is… However, I think of equipment as nothing more than a means to an end, and I never think that just because I use that good equipment I can take good photos,
It’s just a means to maximize the ability to take good photos. The purpose is to tell the idols about their favorite moments, spread the charm of the idols, and have fans gain new discoveries and awareness, and the equipment is just a means to that end,
Denying that they simply pursue equipment. There’s nothing I can do about it, but I have to come up with an image that I want to capture and convey.I want you to draw something cool first that says, “I have this image that I want to take a photo of.” After drawing that,
I found the difference between the actual photo I took and filled it in. I think the original form is to pursue things like updating the equipment more and more in order to advance, and I think that’s totally fine. Well, good equipment
Has the potential to increase the maximum value of that hitting point or that finish, so I’m not denying it at all, but I just think that it’s a bad idea to think about it in that way . If you change the way you say it or change the perspective, the
Resolution of that goal setting is 1 I think it’s better to wait for the night because it’s not a cheap purchase at all.I think it’s better to rent the equipment first and experience it before thinking about it.Also, the idol himself posted that
Photo on SNS etc. There is a culture in which people use the word “employment” to refer to something that will get them to use it , but I would like to avoid using this word as much as possible.It’s
Quite convenient when used within your own family, and the meaning is easy to understand. So, I think that’s totally fine , but I think it’s a little bad to reply or post to the idol themselves saying thank you for hiring them or thanking them for hiring them.That’s because it’s
The opposite of hiring. That’s because the word “rejected” means that the idols themselves were rejected, and I don’t want them to feel sorry for their parents for overeating. It makes me realize that I feel a little sorry for him , that I don’t like him, that I feel sorry
For him, that I didn’t use this person’s photo because I used this person’s photo, and that the opposite feeling and the opposite concept are born. I feel a little sorry for that in itself, so I think it would be a good idea to
Just say thank you for using my photo in a post, talk session, or online face-to-face event . It’s the worst of all otakus, and you might think that it’s better not to live like that, and make a living by posting videos like this, but I
Think it’s the worst and strangest.That kind of self-awareness is… I think it’s better to have it because the idol side always says thank you for taking it or showing it beautifully, and there are indicators such as likes and impressions by posting that. I tend to become that tengu and make misunderstandings, but
I think I need to be careful not to turn into that kind of ego-like state.No, I feel like Cameco-sama has taken over this situation. I think it’s best to avoid that kind of tengu-like attitude
At all costs.I think it’s better to think of them as the lowest of the lowly beings who are being taken care of.I think it’s better to think of them as nothing more than a garbage beetle. That’s why
I think there’s a part of me that feels uncomfortable about it, and I think I want to have an objective point of view.To be honest, in the past I tended to be a little like that, and I
Still do now. I feel like if I could completely deny it, it wouldn’t be like that, so I ‘d like to do it with a sense of warning, like Kameko is the worst part of a garbage bug.But still. After all , I’m really happy
When I have moments where I feel like I can share that feeling of love for that diaper through a photo that can give a good opportunity and vitality to both the fans and the idol themselves.This is that one. I think it’s really rewarding. I think
It’s probably me when that idol captures the young, shining moments of her young life in a photo that looks like Kameko’s pursuit, like that idiot. I would be happy if someone would think that I’m glad that I’m an idol.I do
N’t think it would be better than a gift or a message, but in the form of a photo of myself as an idol or in a diaper. I would be extremely happy if I could make memories that will last a lifetime by reflecting and delivering those precious moments of my youth.
I want to affirm that person’s life , and it’s the last one, but it was a refreshing moment when I was able to convey what I was really thinking and what I was thinking. The amount of research and disgusting thorough analysis that goes into doing that
, I think that Cameco’s thought process is rarely put into words. If this were my case, I would think about it, and then I would think about what kind of strategy I would use to do this and that, so I tried to clarify it all and put it into writing and language. That
Time, the way to enjoy it depends on the person.It’s good to have fun playing on the shallow beach, or it’s good to dive into the deep sea, and the way to enjoy it depends on the sensor number. I’m sure there are various differences between different residents, but if
It were me, no, if I were to do it as a hobby, it would be more interesting to master something completely because it would be useful, and the result would be that diaper that made me feel disgusting. I don’t want to bother you because I think it’s more interesting to be hated, but
I think it’s more interesting if you go all the way to that level, so that ‘s why I’m doing what I do.Of course. I don’t think it’s limited to that because I think there are a lot more than just that otaku style, but
I don’t think it’s limited to that kind of thinking, like if you’re going to do it anyway, do it thoroughly. In addition to that, there are videos like How to, and videos showing specific methods for developing , but they are just that. What kind of thinking and logic
Does he have when he does that? That logic is something that isn’t often expressed in words, so basically he tends to copy that person. That’s what that person’s camera uses . The person I’m using is doing this kind of development, so let’s try imitating it.I
Thought that I wouldn’t be able to improve unless I got to the end, so I just verbalized the logic, way of thinking , and thought process. I dared to put it into words because it’s a difficult part for me to trace.I
Think there are probably many things that are impossible to trace, so I would like to ask you how to face that, how to face the pushback, and why I did the turtle in the first place. Once you try to understand what you’re
Doing and verbalize it in this way, it becomes refreshing, so I definitely recommend you to try it.If you think it’s interesting, give it a high rating. I would be happy if you could subscribe to the channel. Thank you very much. Goodbye .
魂の講義です。
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