战火中的30秒订婚！#胡一天 #章若楠 用命爱你，熬夜追剧心动到泪崩！#huyitian #zhangrounan #24hmovingnews
Welcome to the 24-hour dynamic news channel 30-second engagement in the war! Hu Yitian and Zhang Ruonan love you with their lives, staying up late to watch the drama and crying! Staying up late to watch it and can’t stop! What makes the period drama “Leaning on the Railing” so crazy that the audience is addicted? In today’s endless anti-Japanese war dramas in the Republic of China, “Leaning on the Railing” is like a dark horse, sweeping the hearts of the audience. It not only attracts countless eyes with the combination of Hu Yitian and Zhang Ruonan, the “first love face of the Republic of China”, but also with the real historical background, delicate character portrayal and shocking audio-visual presentation, which makes people stay up late to watch it episode after episode. The heroic story of the group of rich children with an average age of only 23 in the play, who gave up their luxurious clothes and food, drove the old fighter planes and died together with the Japanese army, deeply shocked the hearts of every audience. Screenwriter Wu Xiaomei wrote on the last page of the script: “Death is not a farewell, but forgetting is. ” This drama is not only a visual feast, but also a commemoration and tribute to history. It shows us that in that turbulent era, a group of young people used their blood and lives to protect the dignity of the country and the roots of culture. What makes this drama so addictive? Let us walk into the world of “Leaning on the Railing” and explore its touching secrets. Hu Yitian: The perfect transformation from a campus male god to a passionate pilot When it comes to Hu Yitian, the audience often thinks of his handsome campus male god image. However, in “Leaning on the Railing”, he completely subverted his previous screen image and transformed into pilot Zhang Qi, using his deep acting skills and tough temperament to interpret the patriotic feelings of a passionate young man in the Republic of China. Zhang Qi’s prototype is the first batch of Chinese air force soldiers. Most of these people came from aristocratic families and had a good life, but because of the belief of “saving the country through aviation”, they resolutely joined the battlefield and saw death as home. In the play, Hu Yitian wears a worn-out flight leather jacket, with a firm look in his eyes, and his every move exudes the unique character of young people in the Republic of China. He is no longer the gentle boy in the youth drama, but a soldier who shoulders the heavy responsibility of his country. Every takeoff of the Hanguang Squadron is like a solemn death ceremony: the plane is a second-hand product discarded by the United States, the fuel is never full, and the photos of comrades on the wall gradually turn into black and white portraits. When Zhang Qi and his comrade Ding Huansheng tossed a coin to decide who would carry out the fatal mission, both sides of the coin were engraved with the words “Aviation Saves the Country”. This detail hits the heart directly, showing the persistence and fearlessness of the group of young people in their beliefs. In a highlight scene, the Japanese army forced Zhang Qi to give a pro-Japanese speech at the “Sino-Japanese Cultural Symposium”. However, he grabbed the chalk and splashed ink on the blackboard, starting with the evolution of the Chinese character “日”: “Chinese characters are the only characters in the world that have continued for 3,000 years without interruption! It carries our history and our soul! ” The muzzles of guns were grim in the audience, but he straightened his back and roared: “I am proud to be born in China! ” This 17-minute long-shot play was written by veteran actor Wang Jinsong himself, and the lines were not changed. Hu Yitian was full of explosive power in this scene, his eyes changed from forbearance to determination, and his emotions progressed layer by layer. After the filming, everyone on the scene burst into tears. This scene not only shows Zhang Qi’s national integrity, but also allows the audience to feel the power of Chinese culture passed down from generation to generation. The reason why Hu Yitian’s performance is so touching is not only because of his breakthrough in appearance, but also because of his deep understanding of the role. He revealed in an interview that in order to play Zhang Qi well, he consulted a lot of historical materials about the Anti-Japanese Air Force and even personally experienced simulated flight training. This kind of professionalism makes the character of Zhang Qi both heroic and ordinary. Zhang Ruonan: From a willful daughter to an educational pioneer in war If you think Zhang Ruonan can only play the sweet heroine in youth idol dramas, then Meng Haitang in “Leaning on the Railing” will definitely make you look at her with new eyes. She plays Meng Haitang, who gradually transformed from a spoiled rich daughter to an educational pioneer who founded a girls’ school in war. Her growth arc is moving. Her cheongsam changed from the original silk dress to the later coarse linen dress. The details echoed the decline of the family and also reflected her mental journey from ignorance to tenacity. Meng Haitang’s character is full of layers: she has both the willfulness and pride of a rich lady, and the courage and responsibility when facing the crisis of her family and country. In the war-torn era, she chose to put aside her personal comfort and devote herself to the cause of education to fight for the opportunity for women to study. In the play, the scene where she founded a girls’ school in the ruins is impressive: she wore a simple cloth dress, stood on a makeshift podium, and said to a group of ragged female students: “As long as we are still studying, China’s hope is there! ” This scene shows Meng Haitang’s transformation and makes people feel the power of women in the war of resistance. Her emotional line with Zhang Qi is the tear-jerking role of the whole play. From the initial tit-for-tat, to the gradual emergence of feelings, to the life and death dependence in the war, every eye contact is full of chemical reaction. The most defense-breaking scene is the “30-second engagement”: in the midst of the gunfire, Meng Haitang rushed to the airport and shouted to Zhang Qi who was about to take off: “If you don’t marry me now, you may not have a chance! ” There was no ring, no flowers, only a promise of “wait for me to come back”. However, countless brides of pilots in history really only became “30-second couples”. This scene integrates personal emotions with the righteousness of the family and the country, and the romance is full of tragic colors, which makes the audience burst into tears. Zhang Ruonan’s performance in this role is remarkable. She not only showed Meng Haitang’s tenderness and tenacity, but also, through her delicate performance, let the audience see the growth and awakening of a woman in the Republic of China in troubled times. The narrative structure of “Leaning on the Railing, a Wind and Clouds Rise” is very ingenious. The martial arts and literary dramas are parallel, interweaving a magnificent picture of the War of Resistance. The martial arts are passionate and the literary dramas are sharp. The two lines complement each other and show the feelings of family and country to the fullest. Martial line: real-life air combat, burning to burst The air combat scene of the Hanguang Squadron is the highlight of the whole play. All the fighter shots are real-life shots. The crew spent a lot of money to restore the real scenes of the Anti-Japanese War Air Force. The reflection of the cockpit glass when the fighter dives, the details of the bullet holes on the wings, and even the sweat on the pilot’s face are all clearly visible, bringing a strong sense of immersion. Zhang Qi led the team to defend the Hangzhou Bridge and gave up the plan to blow up the bridge in order to allow the people to evacuate safely. Four broken fighter planes faced the Japanese aircraft group, and shouted the school motto before the collision: “Our bodies, planes and bombs should perish together with the enemy ships! ” This scene not only restored the heroism of the Anti-Japanese Air Force “sacrificing their lives for the country”, but also made the audience feel the pride of facing death. The prototype of Zhang Qi is the Anti-Japanese War hero Chen Huaimin, who crashed into a Japanese plane with a seriously damaged fighter plane at the age of 21. When his body was found, a photo of his fiancée was still on his chest. The restoration of this detail in the play is not only a tribute to the hero, but also makes the audience feel the heaviness of that period of history. Other pilots of the Hanguang Squadron, such as Ding Huansheng and Lu Yunsheng, also have their own prototypes. Their stories show the sacrifice and dedication of the Anti-Japanese Air Force group. Literary line: The character of literati, the sword is sharp. The literary part is based on the southward migration of Fuhua University, showing the perseverance and sacrifice of intellectuals in the war. The prototype of Fuhua University refers to Southwest Associated University, and the play restores the true history of “three thousand miles of walking to move the school”. The professors fled with oracle bone inscriptions on their shoulder poles, just to protect the Chinese cultural heritage. In order to protect the “Wu Ding Jia” that records the history of the Shang Dynasty, archaeology professor Jin Zhilie took the initiative to die. Before leaving, he bit his finger and wrote ” Cultural heritage continues” on the tortoise shell. This scene directly touched the tear point, making people feel the weight of cultural inheritance. Meng Wuran, played by Zhang Xilin, mortgaged his ancestral home to forge cultural relics in order to save Zhang Qi; Ling Wenyue saw through the fake but would rather die than lie. The two smiled at each other under the gunpoint of the Japanese army: “You are a true patriot, I will accompany you! ” This life and death friendship between literati shows the character and responsibility of intellectuals in the Republic of China. The president of Fuhua University, played by Wang Jinsong, is the soul of the whole play. He wears a long gown with whitened cuffs, and always vigorously waves his sleeves to write on the blackboard, symbolizing the perseverance of intellectuals in troubled times. Every line of his is resounding, such as “Knowledge has no borders, scholars have national souls”, which makes people excited. True historical restoration: the epitome of heroes and the times The charm of “Leaning on the Railing , the Wind and Clouds Rise” also lies in its extreme restoration of history. Not only do the characters in the play have prototypes, but even the events, scenes and props have been rigorously verified. The route of Fuhua University’s migration to the south was based on the difficult journey of Southwest Associated University from Changsha to Kunming; Ding Huansheng, an underground party member in the “Seven Gentlemen of Leaning on the Railing”, was based on Fang Huai, the first pilot of the Communist Party of China. He used smuggled radio stations to transmit intelligence to Yan’an; Zhang Qi’s way of sacrifice paid tribute to the heroic deeds of Chen Huaimin and other anti-Japanese air forces. These details allow the audience to get a glimpse of that magnificent history. The crew’s dedication to production is admirable. Zhang Qi’s flying leather jacket has frayed edges, Zhang Ruonan’s cheongsam material changes from silk to coarse linen, and Wang Jinsong’s long gown cuffs are whitened… These clothing details not only echo the plot, but also show the changes in the fate of the characters. A total of 105 real-life sets were built for the entire drama, from the lecture halls of Fuhua University to the wonton stalls on the street, and every scene strives to restore the style of the Republic of China. Even the soup bowls at the wonton stalls are reproduced according to the collections of the Museum of the Republic of China, and the details are so exquisite that they are amazing. Audiovisual feast: movie-quality pictures and music The audiovisual presentation of “Leaning on the Railing, a Wind and Clouds Rise” can be called movie-level. The director used a lot of long shots and real-scene shooting, and the picture texture is delicate and real. In the air combat scene, the fighter planes shuttled between the clouds, and the roar of the engine and the sound of the wind intertwined, bringing a strong sense of substitution; in the literary drama, the shot of Fuhua University’s southward migration is like a flowing scroll, the desolate mountain roads, the professors carrying book boxes, and the faint artillery fire in the distance, forming a cultural epic in troubled times. In terms of music, the crew invited well-known composers to tailor theme songs for each main character. Zhang Qi’s theme song is low and tragic, Meng Haitang’s theme song is gentle and tenacious, and Fuhua University’s theme song is as magnificent as an epic. These music not only set off the atmosphere of the plot, but also sublimated the emotions of the audience. Especially the soundtrack of Zhang Qi’s last takeoff, the strings and drums interweaved, as if seeing off the hero, and the tear-jerking effect was full. Why is this drama addictive? The reason why “Leaning on the Railing” makes people stay up late to watch the drama is not only because of the super high looks of Hu Yitian and Zhang Ruonan, but also because it uses sincere emotions and solid production to evoke the audience’s resonance with that period of history. Every character in the play is like a mirror, reflecting the choices and sacrifices of the young people of that era. – **Passion and Sacrifice**: The pilots of the Hanguang Squadron defended the sky with their lives, and their beliefs and courage infected every audience. – **Cultural Context and Inheritance**: The professors of Fuhua University guarded Chinese culture in the war, showing the responsibility and commitment of intellectuals. – **Love and Country**: Zhang Qi and Meng Haitang’s “30-second engagement” integrates personal emotions with the righteousness of the country and earns enough tears. – **Details and authenticity**: From costumes to props, from historical events to character prototypes, the crew’s dedication makes the audience feel as if they have traveled back to that era. – **Group portrait**: In addition to the protagonist, every supporting role is flesh and blood, such as Ding Huansheng’s forbearance, Meng Wuran’s loyalty, and Jin Zhilie’s sacrifice, which together constitute the lives of all beings in troubled times. Conclusion: Death is not a farewell, but forgetting is “Leaning on the Railing, a Wind and Cloud Rising” is not only a period drama, but also a work that pays tribute to heroes and awakens memories. It shows us that in that turbulent era, a group of young people used their blood and lives to protect the dignity of the country and the roots of culture. As written at the end of the script: “Death is not a farewell, but forgetting is. ” The existence of this drama is to let us today remember those names that should not be forgotten. Whether you are attracted by Hu Yitian’s handsomeness, Zhang Ruonan’s agility, or the passion and touching in the drama, this drama is worth watching in one breath. It is not only a visual feast, but also a baptism of the soul. Go and watch the drama, get your tissues ready, you may cry until you can’t stop! If you like this video, please click the subscribe button, follow button, comment and share. Thank you! Always be happy!
战火纷飞中，胡一天化身飞行员张启，与章若楠上演“30秒订婚”的揪心浪漫！炮火下生死相依，含光中队用命捍卫天空。热血空战、虐心爱情，熬夜追剧到泪崩！
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